3. Pete Wentz: Say what you will about Fall Out Boy—and to my mind, “Sugar, We’re Goin’ Down” is the best pop-punk song on the radio this side of Green Day—its bassist leader is a savvy businessman with an impressively encyclopedic knowledge of rock history and a healthy respect for elders like Neil Young, Bob Marley and U2. Toss in the fact Wentz signed Panic! at the Disco to his own label Decaydance (an imprint on the influential Chicago indie Fueled by Ramen) after hearing just three songs on the Internet, and you begin to realize rock & roll is in pretty good hands if he’s any indication of the new post-emo generation. After having him participate with me and Scoppa for our Sony Connect Music Snobs chat (shameless plug), we came away carrying a newfound respect and mind-blown admiration. If any band is capable of an American Idiot move with their next album, I’d put my money on
4.
5. The Ice Harvest: With films like Caddyshack, Groundhog Day and Analyze This, actor/director Harold Ramis is one of the more underrated comic auteurs, and his latest, which came and went in the blink of an eye last Christmas, was obviously his attempt to duplicate the anti-holiday, feel-bad success of Bad Santa, which also starred Billy Bob Thornton. This faux noir tries to capture the black comedy of Coen Brothers films like Blood Simple and Fargo, but never manages to strike the right balance between slapstick and violence, despite effective performances by John Cusack as a mob lawyer who tries to embezzle $2 million from his boss (Randy Quaid), who runs a bunch of strip joints and a massage parlor in Wichita, of all places, and Oliver Platt, basically doing a less lovable version of his Huff character, as a wise-cracking, obnoxious drunk. Like John Landis’ Into the Night and Martin Scorsese’s After Hours, though not as good, the movie takes place over the course of a single night, in this case Christmas Eve, and while there are some laughs, especially during a family dinner crashed by Cusack and Platt, who has married the former’s ex-wife, the enforced whimsy and potential mayhem never quite gel into a coherent whole, despite the sometimes-witty repartee. —RT
6. The Dying Gaul: Call it Brokeback Screenplay. I’m not quite sure if this rather strange indie film ever got a theatrical release, though I did see the trailers several times at my local art theater. Written and directed by Craig Lucas in his theatrical debut after making his mark as a playwright of dramas with gay themes, the movie starts promisingly enough, with Peter Sarsgaard as a struggling screenwriter who sells his film about the death of his lover from AIDS to predatory studio exec Campbell Scott for a cool $1 million, but only after agreeing to change the protagonists into heterosexuals. Scott then begins a torrid affair with Sarsgaard, which he tries to hide from his wife, the always-wonderful Patricia Clarkson, and two children. Sarsgaard’s moral dilemma about changing the screenplay is soon diverted into a series of explicit couplings with Scott, which he inadvertently exposes to Clarkson via an online chat room. With the film set in 1995, the Internet angle seems a little prescient, and the plot merely a homosexual twist on the old melodramatic clichés, which come off a lot less groundbreaking in the wake of Brokeback Mountain. The tragic ending is also a little jarring and doesn’t really follow what came before, but as an acting exercise, you can’t beat seeing Sarsgaard, Scott and Clarkson go through their strangely attenuated, ultimately fatal, roundelay, with Steve Reich's pulsating minimalist score providing the tension. —RT
7. Luther Campbell, Uncle Luke--My Life and Freaky Times (Urban Box Office): 2 Live Crew founder and original rap entrepreneur Luther Campbell has gone up against some mighty large targets in his day, from George Lucas and Florida attorney Jack Thompson to Tipper Gore and Acuff-Rose, all the way to the U.S. Supreme Court. The originator of the Miami bass sound that continues to reign in today’s Dirty South hip-hop and the first to start his own rap indie label back in 1983 with Luke Records, Campbell is an enigmatic figure in the genre’s history, with his profanity-laden music and groundbreaking videos heir to a noble tradition that includes the likes of bawdy adult-only African-American performers like Redd Foxx and Moms Mabley. His latest release is a three-CD set including an audio book that names names and details wild experiences with athletes Mike Tyson, Ray Lewis and LaVar Arrington, Hollywood icons like Robert DeNiro and his own notorious Luke dancers. It’s pretty obscene, but
8. Being Mick (A&E): This 2001 documentary, filmed during the recording of Mick Jagger’s solo album, Goddess in the Doorway, was originally aired on
9. www.downwithtyranny.com: Ex-Sire/Reprise President Howie Klein’s unabashedly leftist political blog cum website this week deals with President Bush’s attempt to stir up a war with Iran, his disenchantment with Illinois Senator Barack Obama, the San Diego recall election to replace convicted Republic congressman Randy “Duke” Cunningham, the defeat of Italian Premier and nose-picker Silvio Berlusconi (a staunch Bush ally), Newt Gingrich waffling on Iraq and lots more. Klein has replaced his passion for the Ramones with one for politics, and his takes on the day’s news betray his belief in activist engagement. Who needs Huffington when you’ve got Klein? —RT
10. Gripe of the Week: With the advent of ATMs, you rarely have to wait in line at the bank anymore, but when you do, it can be a painful experience, even with the overhead monitors playing CNN without the sound. So there I was, waiting at my local Wells Fargo to cash a check, eyeing each of the individual stations and trying to figure out how long before it was my turn when, all of a sudden, an opening comes up, only to have the teller decide it was time for their break, putting up that frustrating “go to next teller” sign. I mean, can’t they just finish working the rest of the line, which was only about three-deep at the time, before taking off? Just asking.
—RT
CALENDAR
Friday, Apr. 14th
The Yeah Yeah Yeahs @ Riviera Theater,
Clippers vs. Sonics @ Key Arena (FSN2): The Sonics have been playing really well of late, eventhough they have been eliminated from the playoffs. The clippers will look to start taking their play to a higher level to try and gear up for the playoffs. The team seems have taken a blow to the gut finding out that their stud Maggette has a herniated disc and is out indefinitely.
Giants vs. Dodgers at Chavez Ravine (
Kid Rock @ Allstate Arena in
Saturday, Apr 15th
Breakfast w/ The Bunny @ Brookfield Zoo in
Easter Eggstravaganza @
7:10pm
Giants vs. Dodgers, Game Two (FSN2)
8:00pm
Cedric the Entertainer @ The Wiltern.
Sunday, Apr 16th—Happy Easter!!!
Easter Parade on
Haute Dog Easter Parade @ Livingston Park in Long Beach: Snap that designer leather lead on Fido's diamante-studded collar, make sure his fez is at the proper jaunty angle, and fall in line with the other marchers at this parade for pups. Understand, though, you have to put in some serious effort if you want your dog to be crowned parade king or queen.
Aviatic plays an outdoor concert @ Dodger Stadium.
Aviatic plays second set @ Dodger Stadium.
5:
Giants vs. Dodgers, Game Three (ESPN)
JE-C’S NEW MOVIE RUNDOWN
Not a lot of good movies out of late, been sort of a letdown…the movie I suggest checking out, only cause the buzz is good, is the movie Brick. It’s only in limited release right now, but that seems to be the one to see, and I’ve been trying to make time to see it.
Scary Movie 4
Starring: Anna Faris, Regina Hall, Carmen Electra, Leslie Nielsen and Simon Rex
Synopsis: Sending up such blockbusters as Saw, Million Dollar Baby, War of the Worlds, The Village and The Grudge, the fourth installment of the spoof franchise finds dim-witted Cindy Campbell and her sex-crazed pal Brenda joined by the cute and clueless Tom Ryan in a fight to save the world from an alien invasion.
Thoughts: This one may be good for some laughs unlike Date Movie, but I imagine it will probably be mostly horrible.
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